A few weeks ago, I stopped working on The King’s Son. I had been rewriting the third draft for close to a year and had hoped to get it done in the next couple of months, but the words became too difficult to get out. Sometimes I would sit for five hours and produce nothing more than a page or two – a few times only a paragraph or two. It was painful and unenjoyable, and I couldn’t do it anymore. Continue reading
Nanowrimo is interesting this year. I’ve decided to do a rewrite instead of a completely new story. But here’s the thing: I’m actually adding a lot of new stuff to the story I have.
I never did that before in rewrites. I tried to stick to the original manuscript as much as possible. I would focus on improving dialogue and character development. I would look for inconsistencies and errors. But I wouldn’t actually add anything to the story.
It’s new for me. Continue reading
I finally got through a major hurdle. I mean, I think it was a major hurdle. I had been working on the same chapter for three days. I couldn’t get it to sound exactly the way I wanted. I’m not actually sure that it is the way I wanted. But it was enough to feel comfortable sending it off to my friend to edit. Continue reading
It occurred to me today that with each rewrite I do, I’m making my characters audition for a role in my book.
For example, in one rewrite a character may be stubborn, but in another a little less so. He/She may be inquisitive and confident, then more of a weak follower.
It isn’t that their characters completely change. But there are some differences that come out each time that I write about them.
And when I begin my final rewrite (the one before I move on to pacing and grammar), I settle upon the character I feel best fits the part and write them that way. Continue reading
I came across this quote yesterday by Richard Bach: A professional author is an amateur author who didn’t quit. I couldn’t have seen it at a better time.
Editing and rewriting my book has been hard. Even now, looking now at one of the pages of my manuscript, I see all of the notes on how I need to expand certain parts (I wrote a post about that) and cut others, how I have to get deeper into the characters’ thoughts and actions, how I must add a lot more description.
That I took those notes in red ink doesn’t help (as I had been warned). It looks angry. It looks aggressive. It looks like blood has been splattered across the page.
But let’s get back to the edit and rewrite. Continue reading